grazing horse

One of several paintings I'm working on for an upcoming horse-themed group show in September, in Westchester. This is 15"x15" acrylic on wood.

nyfa mark show at islip art museum

Today is the reception for this show that opened at the Islip Art Museum on June 16, though I am unable to attend (or.. unenthused about driving out to Long Island & back on a summer Sunday, I'll admit). I did want to BE there, if I could've flown in my private little plane. Then again if I had my private plane, a lot of things would be different.
It looks like a great group show and I'm glad to have three of my paintings included. I was part of the NYFA MARK program last summer (see these posts: camping it up, the smartist, and words to the why's). While I still don't know what MARK stands for-- Make Actual Real Kash? --I did make some nice kontacts and learned how to develop my kareer.

foliage, faces and fishes

For Beacon's Two Row Wampum Festival on Aug 3rd, Jon and I painted these 8' tall panels, which will be mounted on three-sided totems and displayed at the riverfront along others by local artists.

From the site: 'This is the 400 year anniversary of the Two Row Wampum Treaty, the first treaty between the Haudenosaunee (Iroquois Confederacy) and the new European Settlers (The Dutch).. 

The Two Row Wampum Campaign organized by the Haudenosaunee and Neighbors of the Onondaga Naiton (NOON) is to bring attention to this treaty and to honor its vision today. They wish to come together in peace and harmony where each nation (the US and the Iroquois Confederacy) follow separate but parallel paths. This coming together also entails a spiritual duty to protect and preserve the environment for all future generations. They hope that we will all join together to honor this treaty and honor the sacred duty to mother earth. To publicize this effort the Haudenosaunee, along with non-native allies, will be paddling canoes from Syracuse down the Mohawk River to the Hudson, then down the Hudson River to NYC.' 

After the event the totems will be installed in town 'as a reminder to our commitment of friendship, ecological stewardship, peace between peoples and living in parallel forever.'

It was a lot of fun to collaborate. We had a general idea of what we'd do with our themes of nature, the river, and friendship, and then let it evolve, brushing on layers of paint as we crawled around the floor. Jon cut some shapes out of wood to add dimension to the painted fish, leaves and faces. I don't often give myself the chance to improvise so freely while painting, nor to work with another person-- maybe the last time I did was with a friend at Better Farm-- it was the intense focus of painting for two 5-hour stretches (so we could power through it while we both had the time), combined with the improvisational element of riffing off someone else's style, and finding more than what we would have brought to the project had we worked separately on each panel. 

I will post photos of the assembled totems at the festival in a couple of weeks!

press time

Here's a nice article about our gallery in Philipstown.info/ The Paper, a local (Cold Spring, Garrison, Beacon) publication:

Catalyst Gallery Operates a Little Differently

July 14, 2013

Short-term rental gallery designed as alternative business model to serve and sustain artists

By Alison Rooney

The usual equation for an art gallery is akin to that of agent and client: in exchange for services provided — in this case a space to exhibit work — the provider receives a percentage of the artist’s sales profits. Catalyst Gallery, a new space that opened near the west end of Main Street in Beacon last February, uses a different formula.

Exterior of Catalyst Gallery

The gallery is available to rent, without curatorial vetting or any real restrictions, for any artist. The renter can use the space as they wish, paying simply the negotiated fee, with any sales profits retained directly by the artist, not the gallery. Catalyst’s stipulations are simple: “We provide only the space, our friendly support. You take care of installation, publicity, openings, ‘sitting’ the gallery, sales, and de-installation/basic cleaning.”

The space, formerly the second of the two spaces which were home to the VanBrunt Gallery, is approximately 400 square feet, and includes “freshly painted, well-constructed” walls, as well as wood floors, track lighting, a bathroom, some parking and large storefront windows facing Main Street. The renting artist takes care of and has control over all the rest.

Rentals are available monthly (ideally including a Second Saturday date) with some two-week and even shorter rentals available from time to time. Right now Catalyst, which is within walking distance from Dia, is booked solid through November.

The idea for this came to Catalyst co-owners and artists themselves Erica Hauser and Jon Reichert (he is also a cabinet maker). Hauser says she and Reichert “talked awhile about having a show — I’ve shown pretty regularly in the area. We were feeling discouraged that there aren’t more venues for art in a town known for being revitalized due to art; galleries come and go. I didn’t want to be a gallery owner and though we thought about having a collective, most of all we wanted to have a place where you can just go and see something — this town can be quiet or packed so it can be hard to plan, economically.

“Then, this space became available and it didn’t need a ton of work to get it ready. We went back and forth on the idea until it evolved into making it available for artists to rent on a short-term basis, and occasionally use it to show our own things. This gives people looking to show a professional place to exhibit and also to meet with colleagues. We’re not interested in ‘being the main brand’ — it’s not our vision.”

Hauser recently spoke of her vision for the space at the June Beacon TEDx talk:

“I want to engage the public, support artists and open a good-looking place to show art on Main Street; I need such a venture to sustain itself and to facilitate my own work. My friend and I manage Catalyst Gallery as a rental space where people can realize their creative projects, independent of a more typical gallery model. They rent it short-term to install essentially whatever they want, find new exposure, experiment with ideas and inspire dialogue. They have full control, which is something we as artists so often end up handing over to someone else, or waiting for others to make decisions about our work.

Catalyst Gallery’s Erica Hauser, standing near one of her own paintings. Photo by A. Rooney.

“This way, artists have access to a professional gallery space in a highly-visible location to try something out. A sculptor used the gallery as a testing ground for new pieces and to meet with collectors. Another wanted to explore the local market potential with an eye towards opening a permanent shop. As for us, we have extra studio space, a venue for group exhibitions and workshops. Every time I see a new show going up, and watch people walking by, peering through the windows, I am reminded that the vitality that drives Catalyst is rooted in making our own work, providing a way to sustain and encourage the creative life, and supporting the art community we are part of.”

The gallery opened with an exhibit of Hauser and Reichert’s own work, and since then has played host to a range of art including a sculptor from Los Angeles whose works focused on dogs (and tied into the “Beacon Barks” community event; a group of MFA students from New Paltz who showed their work together, and, most recently, an installation which examined truth in advertising and agribusiness while reinterpreting product packaging and in-store signage. “There’s been so much interest, we’ve been able to pick and choose,” says Hauser, adding, “we like diversity.”

Philipstown photographer Aleta Wolfe’s show opens on Second Saturday, June 13 (see sidebar.) Hauser says Wolfe was “looking for an opportunity to explore a new project and committed to the idea early on.” Occasionally they may break with the mold, for instance a group holiday show with works from multiple artists is planned, that one possibly on a commission basis. Artists have the option to open the gallery for whatever schedule they personally wish for, i.e., weekends only, or every single day of the rental, if they are available and willing to gallery-sit.

Hauser has been in Beacon for about six years, moving there from Washington Heights, after having a “good instinct about this place.” She’s not a stranger to the Hudson Valley, however, having grown up in Brewster. Her own art, which was visible during an in-between exhibits visit to the space, has been called “American nostalgia, with a vintage aesthetic.” She describes it as “representative, but it’s not photorealism, evoking a sense of place and time — maybe a memory but also having graphic appeal.”

Sculpture  and other artwork by Ed Benavente fills the windows last April at Catalyst Gallery.

She describes Reichert’s works (there is a very small area at the back of the space which serves as a mini-working area for him, as “very kinetic work: sculpture with moveable parts and also acrylic on wood paintings.” Hauser sees both of their works (prints of which are available for sale at the Clay, Wood and Cotton store next door) as sharing a “strange sense of humor.”

Hauser and Reichert chose the name Catalyst because the definition of the word coincided with their goals for the space: “The space will be continually utilized and transformed to fulfill various needs, and by doing so will create new opportunities for communication and creativity. Essentially unchanged, yet always different.”

As Hauser has stated, “It will bring something new to town each month, and we won’t be sure just what, but we know it will be interesting.” Catalyst Gallery is located at 137 Main St., Beacon. Visit catalystgallery.com or phone 845-204-3844 for more information.

headless couple

I can't imagine I'll need to use that exact blog post title again. These are the figures I painted this week for a local musician, Stephen Clair, who will be using them in a music video. I think they will also be on the cover of his next album. In the video, people will be behind them, lending their heads; also they'll be embellished and accessorized. I'm looking forward to seeing this.
They're each about 5'5" tall and will be cut closely around the outlines, so I'll probably share another photo then. This project was sort of about finding the balance between cartoony and realistic. I hope I struck it. It was actually nice not having to deal with the heads. When I used to paint figures a long time ago, they were often featureless (save a nose or furrowed brow) and unclothed- it was more about their gestures, what they were doing. It was always important that I get the hands and feet essentially right, enough so that you'd believe it. I used to twist my own appendages around or look in a mirror to draw them; a digital camera makes this a bit easier, as does the ability to go into a shop and charm the long-legged salesgirl into modeling shoes for me.

the 'new..nifty..thrifty' edsel

The 1960 Edsel. Acrylic, 24"x36". Car's so long it doesn't even fit on a single page of its promo booklet, but is splayed across the binding. This canvas seemed just right for it. I am probably going to change the colors of the shapes, whatever they are. I was going for a kind of abstract-but-vaguely-reminiscent-of-showroom and/or open road and also mod 60s design.
I've been working on a few freelance art projects (life-size headless plywood people, anyone? Photos soon) and also went to PA for the 4th. Rode my bike around town armed with cups of paint and two brushes to edit the start time on the 6 farmer's market signs I made last summer. Initially ventured out last night before dusk, ignoring the gathering clouds, started to fix two signs and then the rain came down. Finished today in the sun. The things artists will do for free produce.
However, this artist was very lucky to drop by the paint shop in Fishkill the other day and come away with a shopping cart full of free 'oops' paint. I am very grateful for this gift, for even though he said nicely, with an impatient wave at the shelf of cans, "Get them outta here," I hadn't expected such generosity. It's fun to paint big.

taxi

Taxicab. Oil on canvas, 20"x24". Started it in Jan or Feb, put aside, resumed and finished in the past week. As I mentioned in the last post, this is from a photo I took in 2010, when I found myself making a U-turn into a lot full of weird cars, including old police cars, cabs, and other vehicles in various stages of disintegration. There's other projects I should have worked on last week, but I just wanted to resolve this, which necessitated a fresh coat of paint overall.